As a follow up to yesterday’s post: in current issue of Cambridge University Tempo magazine, Christopher Fox published an inclusive composer’s profile about my work and how various approaches relate to one another. Read how I’ve been running experiments for over a decade.

In this same journal David Kim-Boyle sheds a light on my panoramic scores in his article ‘Reframing The Listening Experience Through The Projected Score’. David’s paper discusses how the listening experience is affected in performances where the score is visible to the audience.

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